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<channel>
	<title>Weng Nam Yap</title>
	<link>https://wengnamyap.com</link>
	<description>Weng Nam Yap</description>
	<pubDate>Tue, 29 Sep 2020 16:12:28 +0000</pubDate>
	<generator>https://wengnamyap.com</generator>
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	<item>
		<title>Graphics Speak Installation</title>
				
		<link>https://wengnamyap.com/Graphics-Speak-Installation</link>

		<pubDate>Mon, 20 Jan 2020 10:32:28 +0000</pubDate>

		<dc:creator>Weng Nam Yap</dc:creator>

		<guid isPermaLink="true">https://wengnamyap.com/Graphics-Speak-Installation</guid>

		<description>




	
	Graphics Speak InstallationAudio Visual Interactive Installation,&#38;nbsp;2013‘Graphics Speak’ is about translating visual elements to sound, as it consists of a collection of patterns that can be turned into audible experience. Each archetype has its own harmonious composition made by mixing them on a turntable.The installation is contextualized within a darkroom, by broadcasting live video recording of the graphics on an analog television, where the transmitted electromagnetic waves are translated into sound through using a sensor. Therefore in this case, what you hear is what you see.


	

	


	Exhibition
2014 – Wonder of Fantasy: 2014 International Techno Art Exhibition, National Taiwan Museum of Fine Arts, Taichung
2013 – Mapping Festival, Le Commun (BAC), Geneva
2012 – Toolkit Festival, A+A Slovenian Exhibition Centre, Venice
	FeatureDesignboom ︎
Etapes ︎
2014 International Techno Art Exhibition Documentary ︎&#38;nbsp;
DigiArts&#38;nbsp;︎
Very View ︎


	


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Exhibitions


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&#60;img width="2000" height="1493" width_o="2000" height_o="1493" data-src="https://freight.cargo.site/t/original/i/86ba9492591d8df8327770c9f0d3517339600d8bacf1b62cdb757130cd4c364b/10259134_10152858647954768_2621538424274093812_o.jpg" data-mid="59430971" border="0"  src="https://freight.cargo.site/w/1000/i/86ba9492591d8df8327770c9f0d3517339600d8bacf1b62cdb757130cd4c364b/10259134_10152858647954768_2621538424274093812_o.jpg" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>Graphics Speak (Sound &#38; Image)</title>
				
		<link>https://wengnamyap.com/Graphics-Speak-Sound-Image</link>

		<pubDate>Mon, 27 Jan 2020 05:13:45 +0000</pubDate>

		<dc:creator>Weng Nam Yap</dc:creator>

		<guid isPermaLink="true">https://wengnamyap.com/Graphics-Speak-Sound-Image</guid>

		<description>




	Graphics SpeakSound &#38;amp; Image, &#38;nbsp;2012
Not only did Weng Nam Yap create his own short film imagery, but he also made his own soundtrack by using stationeries and tools that graphic designers frequently use, exploring the possibility of designing the imagery and sound by using the graphical approach.
P/S: Headphone advisable.

Exhibition2012 – Filmhuis Uitgelicht 24, Den Haag



	


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	Rationale &#38;amp; the making process of the soundtrack:
“I am a graphic designer that loves music without knowing much about music theories, but I have the urge to compose myself one, then I came out with an idea to make sound by chance with a graphical and systematic approach. 
I recorded the sound from different sizes and length from the tools that a graphic designer frequently use, such as paper, pencil, ruler, tape, keyboard, mouse, and printer. I composed it by sprinkling color paper dots that punched out from a puncher on a piece of graph paper in order to get the scores, and each color represents one sound.”

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</description>
		
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	<item>
		<title>Shizuku Tokei 雫時計</title>
				
		<link>https://wengnamyap.com/Shizuku-Tokei</link>

		<pubDate>Mon, 20 Jan 2020 10:32:26 +0000</pubDate>

		<dc:creator>Weng Nam Yap</dc:creator>

		<guid isPermaLink="true">https://wengnamyap.com/Shizuku-Tokei</guid>

		<description>


Shizuku Tokei &#38;lt;雫時計&#38;gt;Sound Installation, 2015A sound installation inspired by the ice pillar and ice candle culture from Hokkaido. ‘Shizuku Tokei’ (雫時計, ‘The Dripping Clock’) was named, as the ice takes its own time to melt, generating a rhythm over which there is no control besides the warmth of nature. When you see water dripping, you see time passing and create a space with depth that is spatially contains you, as if the merciless time, time that never runs backward, as if an event often change a person, but a person is not able to change past event. Shizuku Tokei is setup in a Japanese-style room, borrowing the quiet atmosphere, audience are welcomed to be seated and able to listen to the subtle dripping sound from the ice.
Exhibition
2015 – Sapporo Tenjinyama Art Studio


	
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	&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/6f7a4a62fca5411ae0cebf100bf3dbd63d8ae74643251fc9ca22d3417934f941/IMG_8002.jpg" data-mid="59164847" border="0"  src="https://freight.cargo.site/w/1000/i/6f7a4a62fca5411ae0cebf100bf3dbd63d8ae74643251fc9ca22d3417934f941/IMG_8002.jpg" /&#62;&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/6bd738a47186d17672f69793af9dd50c28965fe44e34687ae080dfd0c1fab160/IMG_8007.jpg" data-mid="59164849" border="0"  src="https://freight.cargo.site/w/1000/i/6bd738a47186d17672f69793af9dd50c28965fe44e34687ae080dfd0c1fab160/IMG_8007.jpg" /&#62;

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	&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/6f1ed828fce1f15450db1a687f19c77715b9c5abe67103a395974b67213bb2c9/IMG_2880.jpg" data-mid="59164832" border="0"  src="https://freight.cargo.site/w/1000/i/6f1ed828fce1f15450db1a687f19c77715b9c5abe67103a395974b67213bb2c9/IMG_2880.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/ef190f74641f9be1ed2c2f1f41506bc0e65ee2b960c48a593a3fc9068273d54a/IMG_7979.jpg" data-mid="59164838" border="0"  src="https://freight.cargo.site/w/1000/i/ef190f74641f9be1ed2c2f1f41506bc0e65ee2b960c48a593a3fc9068273d54a/IMG_7979.jpg" /&#62;</description>
		
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	<item>
		<title>The Blind Men &#38; The Elephant, in Sapporo「群盲象を評す、札幌」</title>
				
		<link>https://wengnamyap.com/The-Blind-Men-The-Elephant-in-Sapporo</link>

		<pubDate>Mon, 20 Jan 2020 10:32:29 +0000</pubDate>

		<dc:creator>Weng Nam Yap</dc:creator>

		<guid isPermaLink="true">https://wengnamyap.com/The-Blind-Men-The-Elephant-in-Sapporo</guid>

		<description>



	


	The Blind Men &#38;amp; The Elephant, 
in Sapporo&#38;lt;群盲象を評す、札幌&#38;gt;Audio Visual Interactive Installation,&#38;nbsp;2016“Hey, the elephant is a pillar,”“Oh, no! it is like a rope,”“Oh, no! it is like a thick branch of a tree,”“It is like a big hand fan”“It is like a huge wall,”“It is like a solid pipe,”
Have you ever heard of the story “The Blind Men &#38;amp; The Elephant”? The story is about a group of blind men (or men kept in the dark), who feel an elephant to learn what it is like. Each one touches a different part of the elephant, but only one part; side, tusk, ear, leg, so forth. They began to argue about the elephant and everyone of them insisted that he was right. The implication is that one’s subjective experience can be true, but that such experience is inherently limited by its failure to consider other truths or a totality of truth. In the process of truth finding, accessibility of information, communication, and respect for different perspectives are paramount.“The Blind Men &#38;amp; The Elephant, in Sapporo” is an interactive audio visual installation derived from this story. The installation is framed in an empty dark space, and the audio is composed from various sounds unique to one object, familiar to the people of Sapporo. Audiences will be given a torchlight in their hand and invited to enter the empty darkroom as the role of ‘blind men’, visual projections will be triggered by the casted light while the audiences are in search for the sounds.
Audiences have to figure out the object (the elephant) by gathering hints from the deconstructed sound from their hearing experience. After that, they are welcomed to join the process of seeking the truth by discussing and guessing the related object.
“Oh!” everyone said.



	

	
	ExhibitionCAI02 Art Gallery, SapporoFeatureDigiArts ︎
	

	


	
&#60;img width="2000" height="1250" width_o="2000" height_o="1250" data-src="https://freight.cargo.site/t/original/i/2f79327d1c5087e7597022be4fac1c060a0b6c6afd6331a023f66e4110c05bd4/Screenshot-2020-01-26-at-11.05.47-PM.png" data-mid="59525100" border="0"  src="https://freight.cargo.site/w/1000/i/2f79327d1c5087e7597022be4fac1c060a0b6c6afd6331a023f66e4110c05bd4/Screenshot-2020-01-26-at-11.05.47-PM.png" /&#62;&#60;img width="2000" height="1250" width_o="2000" height_o="1250" data-src="https://freight.cargo.site/t/original/i/4ebace28fe0acfe298054e4eecefd3318c0fb9eb7bdcc177b15cfea997750056/TBMATE_1.jpg" data-mid="59527185" border="0"  src="https://freight.cargo.site/w/1000/i/4ebace28fe0acfe298054e4eecefd3318c0fb9eb7bdcc177b15cfea997750056/TBMATE_1.jpg" /&#62;
&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/b38bc89fe4d91d44239ce1e830e0741cfaa093e8d2cd844d9c021595af988095/TBMATE_2.jpg" data-mid="59526568" border="0"  src="https://freight.cargo.site/w/1000/i/b38bc89fe4d91d44239ce1e830e0741cfaa093e8d2cd844d9c021595af988095/TBMATE_2.jpg" /&#62;
&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/9370dc096de79bad187844d2d48cd419e7a0fa3efd6fe1adde77e1061f55dae5/TBMATE_4.JPG" data-mid="59494521" border="0"  src="https://freight.cargo.site/w/1000/i/9370dc096de79bad187844d2d48cd419e7a0fa3efd6fe1adde77e1061f55dae5/TBMATE_4.JPG" /&#62;
&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/4d65c3c248ec3d2b622a8e2bdfd4c974bd3c8891d6622cfdd19268c6c351d89b/TBMATE_8.jpg" data-mid="59526569" border="0"  src="https://freight.cargo.site/w/1000/i/4d65c3c248ec3d2b622a8e2bdfd4c974bd3c8891d6622cfdd19268c6c351d89b/TBMATE_8.jpg" /&#62;
&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/c4cf92ebb395d677e162746b2446251ea2f2aefb3c0dc2014a6d9e99ce666b41/IMG_0661.JPG" data-mid="59494414" border="0"  src="https://freight.cargo.site/w/1000/i/c4cf92ebb395d677e162746b2446251ea2f2aefb3c0dc2014a6d9e99ce666b41/IMG_0661.JPG" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Spectres de Mouse (Live Visuals)</title>
				
		<link>https://wengnamyap.com/Spectres-de-Mouse-Live-Visuals</link>

		<pubDate>Mon, 27 Jan 2020 03:42:24 +0000</pubDate>

		<dc:creator>Weng Nam Yap</dc:creator>

		<guid isPermaLink="true">https://wengnamyap.com/Spectres-de-Mouse-Live-Visuals</guid>

		<description>



	
	Spectres de MouseLive Visual Performance, 2018

A live visual performance for Eight Twelve debut concert in the Year 2018.

Original Music
Mouse on the Keys
Covered by
Eight TwelveVenueDamansara Performing Art Centre (DPAC), Malaysia


	


	
&#60;img width="2000" height="1250" width_o="2000" height_o="1250" data-src="https://freight.cargo.site/t/original/i/499e90e379124fe635ad47613d8d1ba0f08dee46cbbbabd6dab8d49ebd37817f/Screenshot-2020-01-27-at-12.15.31-PM-copy.png" data-mid="59528983" border="0"  src="https://freight.cargo.site/w/1000/i/499e90e379124fe635ad47613d8d1ba0f08dee46cbbbabd6dab8d49ebd37817f/Screenshot-2020-01-27-at-12.15.31-PM-copy.png" /&#62;
&#60;img width="2000" height="1250" width_o="2000" height_o="1250" data-src="https://freight.cargo.site/t/original/i/f854d76e20bc465dbf912db3cb2ed30d4ff9146829907ba2294db250b5dc842a/Screenshot-2020-01-27-at-12.16.50-PM-copy.png" data-mid="59528984" border="0"  src="https://freight.cargo.site/w/1000/i/f854d76e20bc465dbf912db3cb2ed30d4ff9146829907ba2294db250b5dc842a/Screenshot-2020-01-27-at-12.16.50-PM-copy.png" /&#62;
&#60;img width="2000" height="1250" width_o="2000" height_o="1250" data-src="https://freight.cargo.site/t/original/i/807da5aa1802d0f9aeefd090486ecfcb2f65377fbdac139e9d25ff6d51a0db56/Screenshot-2020-01-27-at-12.18.08-PM-copy.png" data-mid="59528985" border="0"  src="https://freight.cargo.site/w/1000/i/807da5aa1802d0f9aeefd090486ecfcb2f65377fbdac139e9d25ff6d51a0db56/Screenshot-2020-01-27-at-12.18.08-PM-copy.png" /&#62;
&#60;img width="2000" height="1250" width_o="2000" height_o="1250" data-src="https://freight.cargo.site/t/original/i/758831daaed3f43b26530a9644e74810c6e5bcaab051bbf19d1228869609853e/Screenshot-2020-01-27-at-12.25.38-PM-copy.png" data-mid="59528993" border="0"  src="https://freight.cargo.site/w/1000/i/758831daaed3f43b26530a9644e74810c6e5bcaab051bbf19d1228869609853e/Screenshot-2020-01-27-at-12.25.38-PM-copy.png" /&#62;
&#60;img width="2000" height="1250" width_o="2000" height_o="1250" data-src="https://freight.cargo.site/t/original/i/12f511ab50135404ed0a4687423e1893bd389040848044b42d3354c6c23c1c83/Screenshot-2020-01-27-at-12.19.19-PM-copy.png" data-mid="59528986" border="0"  src="https://freight.cargo.site/w/1000/i/12f511ab50135404ed0a4687423e1893bd389040848044b42d3354c6c23c1c83/Screenshot-2020-01-27-at-12.19.19-PM-copy.png" /&#62;

&#60;img width="2000" height="1250" width_o="2000" height_o="1250" data-src="https://freight.cargo.site/t/original/i/1d2cb786960b07ac26a5c4fa38daceca78977f84719391ae25639724ac834a08/Screenshot-2020-01-27-at-12.20.21-PM-copy.png" data-mid="59528991" border="0"  src="https://freight.cargo.site/w/1000/i/1d2cb786960b07ac26a5c4fa38daceca78977f84719391ae25639724ac834a08/Screenshot-2020-01-27-at-12.20.21-PM-copy.png" /&#62;
&#60;img width="2000" height="1250" width_o="2000" height_o="1250" data-src="https://freight.cargo.site/t/original/i/1528266cc1635f72789a48a8bd7b9a66977eed4258e48e8505c8d25c49f054e4/Screenshot-2020-01-27-at-12.21.40-PM-copy.png" data-mid="59528992" border="0"  src="https://freight.cargo.site/w/1000/i/1528266cc1635f72789a48a8bd7b9a66977eed4258e48e8505c8d25c49f054e4/Screenshot-2020-01-27-at-12.21.40-PM-copy.png" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Dark Lights (Live Visuals)</title>
				
		<link>https://wengnamyap.com/Dark-Lights-Live-Visuals</link>

		<pubDate>Thu, 24 Sep 2020 03:56:15 +0000</pubDate>

		<dc:creator>Weng Nam Yap</dc:creator>

		<guid isPermaLink="true">https://wengnamyap.com/Dark-Lights-Live-Visuals</guid>

		<description>




	
	Dark LightsLive Visual Performance, 2020

Original Music
Mouse on the Keys
Covered by
Jimmy Chong, Sara Heng, Sylvester LiewVenueDamansara Performing Art Centre (DPAC), Malaysia


	


	
&#60;img width="2000" height="1250" width_o="2000" height_o="1250" data-src="https://freight.cargo.site/t/original/i/a82330c752102202aa1f55431f9c59463e1d7afba1b72447df79b23af70ff291/Screenshot-2020-09-24-at-11.47.15-AM-copy-copy.jpg" data-mid="83616775" border="0"  src="https://freight.cargo.site/w/1000/i/a82330c752102202aa1f55431f9c59463e1d7afba1b72447df79b23af70ff291/Screenshot-2020-09-24-at-11.47.15-AM-copy-copy.jpg" /&#62;
&#60;img width="2000" height="1250" width_o="2000" height_o="1250" data-src="https://freight.cargo.site/t/original/i/b214b1fbdf9344eaae74847a6d782347a4bf213ea30302666954105b4b24a962/Screenshot-2020-09-24-at-11.46.16-AM-copy-copy.jpg" data-mid="83616772" border="0"  src="https://freight.cargo.site/w/1000/i/b214b1fbdf9344eaae74847a6d782347a4bf213ea30302666954105b4b24a962/Screenshot-2020-09-24-at-11.46.16-AM-copy-copy.jpg" /&#62;
&#60;img width="2000" height="1250" width_o="2000" height_o="1250" data-src="https://freight.cargo.site/t/original/i/7a790f110791d224ad13bd13c5f757275b9f836469812ac48752abfb9f1988b7/Screenshot-2020-09-24-at-11.47.00-AM-copy-copy.jpg" data-mid="83616774" border="0"  src="https://freight.cargo.site/w/1000/i/7a790f110791d224ad13bd13c5f757275b9f836469812ac48752abfb9f1988b7/Screenshot-2020-09-24-at-11.47.00-AM-copy-copy.jpg" /&#62;
&#60;img width="2000" height="1250" width_o="2000" height_o="1250" data-src="https://freight.cargo.site/t/original/i/600f1a8ee165b4de1364779a54dd0f768fdd45a0f77deabd16ceff16754c742b/Screenshot-2020-09-24-at-11.46.50-AM-copy-copy.jpg" data-mid="83616773" border="0"  src="https://freight.cargo.site/w/1000/i/600f1a8ee165b4de1364779a54dd0f768fdd45a0f77deabd16ceff16754c742b/Screenshot-2020-09-24-at-11.46.50-AM-copy-copy.jpg" /&#62;
&#60;img width="2000" height="1250" width_o="2000" height_o="1250" data-src="https://freight.cargo.site/t/original/i/a4877e73eb3cf43a437e73b592c24c39c931c0ddeee61c5903bdafc434cdd752/Screenshot-2020-09-24-at-11.48.47-AM-copy-copy.jpg" data-mid="83616778" border="0"  src="https://freight.cargo.site/w/1000/i/a4877e73eb3cf43a437e73b592c24c39c931c0ddeee61c5903bdafc434cdd752/Screenshot-2020-09-24-at-11.48.47-AM-copy-copy.jpg" /&#62;
&#60;img width="2000" height="1250" width_o="2000" height_o="1250" data-src="https://freight.cargo.site/t/original/i/71ff92ea45b390a1952a67a3578970c0970a038beaa0de6cb4264859aa2fc530/Screenshot-2020-09-24-at-11.45.54-AM-copy.jpg" data-mid="83616771" border="0"  src="https://freight.cargo.site/w/1000/i/71ff92ea45b390a1952a67a3578970c0970a038beaa0de6cb4264859aa2fc530/Screenshot-2020-09-24-at-11.45.54-AM-copy.jpg" /&#62;
&#60;img width="2000" height="1250" width_o="2000" height_o="1250" data-src="https://freight.cargo.site/t/original/i/6206a62399fcbed983f9aa6604119f388eb6c3d025ec69cdcce672b78cb10199/Screenshot-2020-09-24-at-11.50.09-AM-copy-copy.jpg" data-mid="83616783" border="0"  src="https://freight.cargo.site/w/1000/i/6206a62399fcbed983f9aa6604119f388eb6c3d025ec69cdcce672b78cb10199/Screenshot-2020-09-24-at-11.50.09-AM-copy-copy.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Datun Julud (Live Visuals)</title>
				
		<link>https://wengnamyap.com/Datun-Julud-Live-Visuals</link>

		<pubDate>Tue, 29 Sep 2020 16:12:28 +0000</pubDate>

		<dc:creator>Weng Nam Yap</dc:creator>

		<guid isPermaLink="true">https://wengnamyap.com/Datun-Julud-Live-Visuals</guid>

		<description>



	
	Datun JuludLive Visual Performance, 2020

Music byAlena Murang, Herman Ramanado, Jimmy Chong, Jonathon Wong, Joshua Maran, Sara Heng &#38;amp; Sylvester LiewVenueDamansara Performing Art Centre (DPAC), Malaysia


	


	

&#60;img width="3360" height="2100" width_o="3360" height_o="2100" data-src="https://freight.cargo.site/t/original/i/b9567edea068fd81a995b38d12c4fe02b02207ee6e98f310c68063610b10e6e2/Screenshot-2020-09-30-at-12.22.34-AM.png" data-mid="84099359" border="0"  src="https://freight.cargo.site/w/1000/i/b9567edea068fd81a995b38d12c4fe02b02207ee6e98f310c68063610b10e6e2/Screenshot-2020-09-30-at-12.22.34-AM.png" /&#62;
&#60;img width="3360" height="2100" width_o="3360" height_o="2100" data-src="https://freight.cargo.site/t/original/i/bb763c30507e6f82cda8be0145a72739973da70dd890bbcd5fe60f14d9e2cb87/Screenshot-2020-09-30-at-12.23.33-AM.png" data-mid="84099362" border="0"  src="https://freight.cargo.site/w/1000/i/bb763c30507e6f82cda8be0145a72739973da70dd890bbcd5fe60f14d9e2cb87/Screenshot-2020-09-30-at-12.23.33-AM.png" /&#62;
&#60;img width="3360" height="2100" width_o="3360" height_o="2100" data-src="https://freight.cargo.site/t/original/i/3638d3bebc1ccac183bec7adca324e0c725ace34d365a17ab75aae693b622d0a/Screenshot-2020-09-30-at-12.27.59-AM.png" data-mid="84101969" border="0"  src="https://freight.cargo.site/w/1000/i/3638d3bebc1ccac183bec7adca324e0c725ace34d365a17ab75aae693b622d0a/Screenshot-2020-09-30-at-12.27.59-AM.png" /&#62;
&#60;img width="3360" height="2100" width_o="3360" height_o="2100" data-src="https://freight.cargo.site/t/original/i/5d8b55ec2e041bdc1244cd7db6e14e0c2330972afb183867f4d0c41167087a2f/Screenshot-2020-09-30-at-12.19.08-AM.png" data-mid="84099344" border="0"  src="https://freight.cargo.site/w/1000/i/5d8b55ec2e041bdc1244cd7db6e14e0c2330972afb183867f4d0c41167087a2f/Screenshot-2020-09-30-at-12.19.08-AM.png" /&#62;
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	<item>
		<title>Yuki Odoshi 雪威し</title>
				
		<link>https://wengnamyap.com/Yuki-Odoshi</link>

		<pubDate>Mon, 20 Jan 2020 10:32:27 +0000</pubDate>

		<dc:creator>Weng Nam Yap</dc:creator>

		<guid isPermaLink="true">https://wengnamyap.com/Yuki-Odoshi</guid>

		<description>




	

	Yuki Odoshi &#38;lt;雪威し&#38;gt;
Art Installation, 2015The name ‘Yuki Odoshi’ (雪威し) originates from ‘Shishi Odoshi’ (鹿威し), which literary translates as ‘scare the deer’ – an old Japanese device made to scare away birds and beasts damaging crops. Now, ‘Shishi Odoshi’ has become a popular sound sculpture found in most Japanese gardens.In winter Sapporo sees heavy snow, residents are forced to fight against the challenges presented by snow and coexist with it. The work ‘Yuki Odoshi’ was in some ways created by the people of Sapporo in borrowing the idea of ‘Shishi Odoshi’. The original principle has gradually changed from a functional tool to an entertainment/decorative object, ‘Yuki Odoshi’ is made of various snow prevention tools in order to ‘scare the snow’.Socks soaked by the snow is an everyday nuisance experienced while walking through the streets in winter. In the artwork, the socks are vessels for the snow, allowing water to drip as the snow melts onto the shovel below creating a sound. This transformation of the snow (problem) becoming a sound (entertainment), represents the love-hate relationship between the Sapporo people and the snow.
Exhibition
2015 – Sapporo Tenjinyama Art Studio

	


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	<item>
		<title>Back &#38; Forth</title>
				
		<link>https://wengnamyap.com/Back-Forth</link>

		<pubDate>Mon, 27 Jan 2020 07:26:18 +0000</pubDate>

		<dc:creator>Weng Nam Yap</dc:creator>

		<guid isPermaLink="true">https://wengnamyap.com/Back-Forth</guid>

		<description>




	
	Back &#38;amp; ForthSound Art (Competition work for Sapporo International Art Festival), 2014‘Back And Forth’ is an experimental ambience sound for public space. The concept is to create an eligible ambience sound for Sapporo Shiryokan (札幌市資料館). It's challenging for a foreigner who’ve never been to Sapporo to compose, therefore we came out the idea of creating a scenario for a visitor on ‘How to get to Sapporo Shiryokan’ based on the collected information (資料) we could get via Google Map. A back and forth route is created from Point A: Sapporo Station (札幌駅) to the final destination, Point B: Sapporo Shiryokan (札幌市資料館).The composition of the piece is derived from the coordinate of the traffic light (信号) the visitor will pass by. For instance, the first coordinate of the traffic light (北5西3, 北4西4), ‘北’ is translated into beat, and ‘西’ signifies the note, in other words, every 5 beats (北5), note E (西3) will be played, and next followed by note F (西4) every 4 beats (北4). The piece will end at last traffic light coordination (大通西13, 大通西12) with a different sound, which represents the visitor have reached the destination. Reversed audio is added as ornament, representing the concept of back and forth as well.

Art Direction + Sound Design
Weng Nam Yap, Jimmy Chong

A graphical score created out of google map:
	
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	</item>
		
		
	<item>
		<title>Work</title>
				
		<link>https://wengnamyap.com/Work</link>

		<pubDate>Mon, 20 Jan 2020 10:32:30 +0000</pubDate>

		<dc:creator>Weng Nam Yap</dc:creator>

		<guid isPermaLink="true">https://wengnamyap.com/Work</guid>

		<description></description>
		
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